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"Lite as a Feather'', the second single from the Hard-Ons' forthcoming album “I’m Sorry Sir, That Riff’s Been Taken” - their first album with Tim Rogers - is an absolute stomper that utilises Tim's vocal talents brilliantly. Almost two songs in one, the crunching first half highlights a sing-along refrain of "You've got the weight of the world resting on your shoulders" before it changes tack and becomes something more melodic. It's a brilliant track that highlights the band's inventiveness and suggests that “I’m Sorry Sir, That Riff’s Been Taken” will further reveal the Hard-Ons’ musicality and surprise anyone who sees them as just a thrashy punk band.
The album “I'm Sorry Sir, That Riff's Been Taken” is out October 8, and currently available for pre-order on limited edition blue vinyl, black vinyl, CD and digitally.
Last month's announcement of the Hard-Ons' recruitment of Rogers was BIG NEWS and was met with excitement, bemusement and yes the inevitable few grumbles from old fans. Of course, the Hard-Ons have been cranking out their own brand of punk rock for nearly 40 years (they started young!), and their fans are diehard. But, as the first piece of new music attested - the single "Hold Tight" is a punk-pop gem and was instantly added to Double-J's playlist - the new line-up is not going to give fans anything to complain about.
The magic in this union perhaps comes from the fact that Tim Rogers is one of those fans himself. As he this week told Blunt Magazine:
“I’m a fan first and foremost. [They were] the first band I loved that I could see, the first band I got my nose broken to, [and the first band] I lost my hearing to. There are so many firsts. And then to be in the rehearsal room… I looked over at Blackie’s amp and went, ‘Oh, that’s the amp.’ And I saw the SG, and I was like, ‘That’s the SG.’ I’ve been watching him play with those since 1986."
One of Australia’s most loved and influential bands from the mid-‘80s through to now, the Hard-Ons came out of the multicultural South-West Sydney suburb Punchbowl and quickly won a large following nationally with their irreverent attitude and catchy, noisy high energy sound. Appearing on the Radio Birdman-influenced Sydney scene of the early ‘80s and preceding the punk-pop boom of the ‘90s, the Hard-Ons were a musical bridge and became a punk and alternative music sensation, blowing open doors by incorporating disparate elements - like a range of metal styles, from glam to thrash - which were previously unheard in Australian punk. All the while they were forced to push through other barriers; barriers that appeared because of their mixed ethnicity and their wilfully transgressive and irreverent nature, which was typified by their name, and by Ray’s outrageous artwork.
In their early days, the Hard-Ons shared bills with the likes of the Ramones and Nirvana and appeared on numerous Big Days Out. They scored a never-bettered 17 consecutive number 1s on the Australian independent charts and in 1989 were the only Australian band still based in Australia to hit the top 5 in the NME charts (the only Australian artists to have achieved that - Nick Cave and the Go-Betweens – had both been UK-based). Despite break-ups and the formation of other bands (Ray & Blackie’s other ongoing band Nunchukka Superfly) and, in Blackie’s case, a solo career, the Hard-Ons undertook their 19th European tour in 2018, when they played the massive metal festival Hellfest, alongside Judas Priest, Iron Maiden and Joan Jett. Soon to celebrate 40 years together, their new album with new kid Tim will be their 13th.
Over the years, the Hard-Ons have won the vocal support of artists like Dave Grohl, Henry Rollins, and Jello Biafra. They’ve influenced subsequent generations of punk bands – from the Meanies to Frenzal Rhomb to Private Function – as well as a wide-ranging groundswell of Australian alternative artists – from You Am I to Spiderbait to Silverchair to Regurgitator to Magic Dirt to Powderfinger to the Dirty Three to the Chats – each of whom have been inspired by the Hard-Ons’ energy, free spirit and uncompromising dedication.
lyrics
Shit sandwich fell, deli counter to the floor
Out popped the filling, hard-boiled egg and some slaw
In ran a pooch, lightning bolts through the door
Out went my lunch, clamped tightly in its jaw
You’ve got the weight of the whole world resting on your shoulders
You’ve got the weight of the whole world resting on your shoulders
Lucky that you've got a strong back
Lucky that you've got a strong back
Yeah, I've never burst, never broke at the seams
Never over friendly and certainly never mean
Shoelaces slap against my calves in the rain
Gotta find my lunch. Gotta find my last eight bucks
You've got the weight of the whole world resting on your shoulders
You've got the weight of the whole world resting on your shoulders
Well, you’re as light as a feather
You’re as light as a butterfly
Lovely little butterfly
Couldn't wish for more
Well, you’re as light as a feather
You’re as light as a butterfly
Lovely little butterfly
Couldn't wish for more
When I find the pooch, my sandwich is no more
But look at his eyes as he raises his paw
I think I’ll take you home, and I'll feed you some more
I think I'll take you home, and I'll feed us both some more
But you’re as light as a feather
A butterfly
You’re as light as a feather
You’re as light as a butterfly
Lovely little butterfly
Couldn't wish for more
You’re as light as a feather
You’re as light as a butterfly
Lovely little butterfly
Couldn't wish for more
Wally “Meanie” Kempton took the plunge in 2018 and launched his record label Cheersquad Records & Tapes. Since then he has
released new material from acts such as The Meanies, The Hard-Ons, Chris Wilson, Phil Jamieson, Seasick Steve, Wanita, Minibikes, The Rinehearts, Immigrant Union and T. Wilds, along with limited edition vinyl of older material from Snout, Even and The Glory Box and more....more
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